| slasiunk | Дата: Суббота, 05.10.2013, 23:33 | Сообщение # 1 |
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"Fight of the Year" discuss just how the remainder of the globe gettings accepted b-boy society, yet exactly how they're not perceived as cutting side or cool in the United States.
That frets the Sean Combs-like impresario, Dante (Laz Alonso): "How long before hip-hop isn't cool?".
He needs to safeguard his dancing, fashion and music empire by placing American b-boys back on best. He employs an old dancing pal, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to quicken on the current state of dancing, after that recruit and coach a "all-star team" of the most effective of America's finest to take on the other globe, which has actually passed America by and long controlled the annual b-boy Olympics called "BOTY," the Battle of the Year.
That team includes various conceited, chip-on-their-shoulder showoffs, because that's what it requires to prosper. Actual celebrity professional dancers such as Do Knock and Flipz are combined with others, featuring vocalist Chris Brown.
And helping coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, supervisor of the clear-cut documentary on the globally phenomenon, "Planet B-Boy," co-wrote and directed this, and immodestly has characters see that movie and sing its applauds. Holloway can not also mean a genuine dancing past, so the flick forges that by having his coach run his men with drills (in split-screen sequences).
Peck, as soon as of T.V's "Drake & Josh," one-time superstar of "The Wackness," has a small, sustaining task yet is offered leading invoicing. In this instance, that implies his every setting includes excessively made-up and coiffed close-ups. It's laughable.
But tabloid beloved Brown even more than holds his own with this team, apparently not even requiring a dance double. The dancing scenes-- especially those involving teams from Germany, France and Korea-- take the b-boy moves to the upcoming level.
And there are a lot of simple, undemanding laughs, the most effective lines coming from Peck's assistant coach.
"You resemble a gazelle out there," he applauds his boss. "A gazelle with arthritis." Which, while it does not explain the movie, does strike this genre right in the bull's eye. But after that, the beauty of "Step Up" and all its tired imitators is that the viewers they're shooting for has no suggestion that there have been 20 or 30 films specifically like this one that came prior to it.
He has to shield his style, music and dance empire by putting American b-boys back on top. He employs an aged dancing buddy, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to quicken on the present state of dance, then sponsor and coach a "desire team" of the best of America's finest to take on the rest of the world, which gettings passed America by and long dominated the annual b-boy Olympics known as "BOTY," the Battle of the Year.
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